Popular Alternatives to Adobe Photoshop for Windows, Mac, Web, Linux, iPhone and more. Explore 25+ apps like Adobe Photoshop, all suggested and ranked by the AlternativeTo user community.
Now that Adobe has made Photoshop CC the linchpin of its Creative Cloud subscription strategy, photo enthusiasts are more than ever seeking alternatives to the engine that has driven the modern image-editing industry for more than 20 years.
Subscriptions to Photoshop via Creative Cloud cost $50 per month and are popular with a certain segment of Adobe users, mostly the cadre of commercial artists, graphic designers, Web developers, and photographers who use multiple apps for high-end professional work.
To sweeten the deal for photographers, Adobe is now offering a special photo-oriented subscription package targeted to previous users that includes Photoshop and Lightroom for $10 per month (based on a year’s commitment), until December 31. A similar offer targeting everyone else, regardless of past Photoshop ownership, runs until December 2. The upshot is that for photographers who considered $50 a month excessive for purchasing programs they will not use, there’s a less expensive option available until the end of the year.
But a subscription is still a subscription. And even some Creative Cloud cheerleaders may now be pausing to reconsider this path, especially in light of recent issues with Adobe security. That, added to general consumer opposition to subscription software, may play a role in an accelerated quest for a Photoshop alternative.
Even when Photoshop was available as a perpetual license, the $699 standard edition price tag was steep, as was the $350 upgrade price, though a hefty portion of enthusiasts were willing to fork over that amount for the best image editor money could buy. Adobe continues to sell Photoshop CS6, the last presubscription version.
We poked around and found nine good prospects that would be suitable for most amateurs and photo enthusiasts. Some of those alternatives, not surprisingly, come from Adobe itself, while others emerge from familiar vendors like Apple and Corel, as well as more recent players in the software marketplace. Note that prices can vary, and those below are the latest from the vendor's websites.
Adobe Photoshop Elements 12 ($100)
Photoshop Elements is a full-featured photo-editing package, a light version of Adobe’s flagship Photoshop CC. While it lacks certain high-end professional features such as support for four-color separation, as well as other advanced controls, its price is about 1/7 of the pro version. Photoshop Elements specifically targets hobbyists and advanced amateurs with a consumer oriented approach to image editing, such as Quick, Guided, and Expert modes. Elements ships with an Organizer app (shared with its companion video program, Premiere Elements) that tracks and organizes photos and videos and facilitates creation of artistic projects. Features such as Pet Eye editing (related to red eye in humans), Instagram-style photo effects, textures, auto smart tone, and content aware move make Photoshop Elements a strong contender for hobbyists at all levels.
Adobe Photoshop Lightroom 5 ($149)
Lightroom is a true crossover app that straddles the shifting line between advanced amateur and professional photography. While Lightroom is available via Creative Cloud subscription, it’s also available as a stand-alone license-based application for non-subscription purchase. While primarily a photo manager on par with Apple’s Aperture, Lightroom offers a high degree of editing functionality. Hobbyists with advanced knowledge of editing techniques or who shoot Raw may well find Lightroom an acceptable substitute for Adobe’s high-end editor. Lightroom has an agreeable one-window interface that’s easy to work with. Advanced new features include Upright, which offers four options for straightening images with a mouse click; smart previews for working on images when originals aren’t available; advanced healing brush to correct irregular shapes; and a radial gradient tool that directs the viewer’s focus within an image.
Apple Aperture 3.5 ($80)
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Aperture has long been a Mac photo-imaging favorite, on par with Adobe Lightroom. While it bills itself as more photo organizer than editor, like Lightroom, it has a great many image- editing features that hobbyists and enthusiasts can rely on. Newer versions of the app fully support Mac Retina displays and join together the databases of both the Aperture and iPhoto libraries to promote the smooth transition back and forth between the different photo editors. A new white-balance tool, an enhanced shadow-highlight editor, and an improved auto enhance feature balance the app’s concentration on photo editing. Add fast browsing and full-screen operation into the mix alongside integration of Faces, Places, and Photo Stream features, and you get a full set of sharing and syncing options to top off the Aperture package.
Apple iPhoto 9.5 ($15)
More consumer-oriented than Aperture, and simpler to use than Photoshop Elements, iPhoto for Mac is the hub of Apple’s iLife suite. With iPhoto, you can add special effects to images, correct exposure, remove red‑eye, remove unwanted objects, and fix images with an assortment of sophisticated controls. Use effects to convert photos to black and white, add vignettes, blur edges, and more. The photos you take on your iOS devices can automatically appear in iPhoto via Photo Stream, ready for sharing. Slideshow themes enhance the look and sharing options for your photo collection. When you’re done with an iPhoto edit, you can also get something to show for it. Right from the app, you can order professional prints, photo books, cards, and calendars. This 64-bit app shares a unified database with Aperture, which offers even more advanced image-editing opportunities.
Flying Meat Acorn 4.1 ($50)
Acorn caters to photography enthusiasts seeking a wide range of nondestructive image- editing options. This 64-bit, lightweight but full-service image-editing tool offers all the standard features such as text, vector tools, filters, layer masks, compositing, PSD import and export capability, and an array of sophisticated functions that could yank you out of your Photoshop nostalgia. A multilayer editing function that includes layer groups and cool filters accompany Acorn’s smart crop tool and Web export features. Acorn also supports masks, alphas, curves and levels, multistop gradients, and more, and is optimized for Retina displays. All these convenient features are wrapped in an agreeable, easy to use interface.
Pixelmator 3 ($30)
Pixelmator has, over time, filled in many of the missing elements to make it a true Photoshop alternative. As a full-service image editor like Acorn, it offers all the traditional, recognizable tools that most photographers would need to tweak images. It also features a number of special effects that you can choose to make visible or not. Like Acorn, it works only in the RGB color space, but the new version has added Liquify tools and layer styles designed to compete with Photoshop’s famous features. Enhanced multiple-display support offers more flexibility. Add to that a slew of other easy-to-use drag-and-drop and slider-based editing functions such as painting, retouching, shapes, text tools, color adjustments, and 64-bit architecture.
Corel AfterShot Pro ($25)
Corel has aimed AfterShot Pro at the professional playing field alongside Photoshop, Aperture, and Lightroom, as both an image editor and photo manager. It has a great number of photo-editing options as well as organizational features that will give you perspective on new ways to edit your images. A full view of your photo library and various ways of previewing your images help you choose good prospects. An assortment of familiar controls lets you apply levels and curves, sharpening, color cast correction, and a host of other edits to your photos. AfterShot Pro includes selective editing cursors, healing and cloning tools, and the ability to manage multiple versions of a photo. As an image manager, it lets you access photos anywhere on your hard drive without having to import them into the program, which will certainly be advantageous for some workflows.
CyberLink PhotoDirector 5 ($60)
CyberLink, which arrived on the Mac from Windows in the last couple of years, offers a respectable all-purpose image-editing package with lots of cool extras for one-click image editing and styling. A compact, well-organized application frame holds a wealth of information about your photos. A tabbed layout gives you the option of viewing your library, selecting a photo and making manual or preset adjustments—and editing for anything from object removal to beautifying the faces of your subjects, creating a slideshow, or printing. The Auto Lens Correction feature removes barrel and perspective distortions, vignetting, and chromatic aberration—a handy pro-level feature. PhotoDirector is fun to use and has some sophisticated controls that rival Photoshop’s. At the same time, it also has an Instagram sensibility via its collection of built-in and downloadable presets. PhotoDirector offers the best of both worlds.
GIMP 2.8 (Free)
GIMP, short for GNU Image Manipulation Program, is a free, open-source image editor with many of the same deep capabilities as Photoshop. That means it has a dizzying number of controls available to fine-tune and fix your photos, such as the clone tool, the healing tool, channel mixer, in addition to context-sensitive tools, dockable windows, and a full-screen mode. You can also fix lens flaws such as barrel distortion and vignetting. One look at its extensive preferences and menus reveals a setup that Photoshop users might find somewhat familiar. GIMP doesn’t always behave the way you’d expect a Mac app to, for example, sometimes edits paint their way onto the window, as opposed to just smoothly transforming the image. Newer versions of GIMP have become more intuitive, and as a free app, it’s definitely worth a look.
When you’re working with images in Photoshop, getting perfect selections lets you work in great detail. But the pen and lasso tools don’t make it easy to capture small details in complex areas. The magic wand tool can help, but it’s unpredictable.
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If your selection isn’t spot-on, though, your design will suffer. So what are you to do?
Worry not, as Photoshop’s Refine Edge tool can come to the rescue. It’s now hidden behind the new Select and Mask toolsAdobe Photoshop CC 2018: 9 Great New FeaturesAdobe Photoshop CC 2018: 9 Great New FeaturesPhotoshop CC 2018 is here! And it has some awesome new features. Click to see nine features that will change the way you use Photoshop.Read More, but it’s still one of the most useful functions that Photoshop CC has to offer. Let’s check it out.
When to Use Refine Edge in Photoshop
You can use Refine Edge on any image, but it really shines when you have a foreground that you’re trying to select against a contrasting background.
It’s also best when you’re working with complex edges, like hair (which we’ll be using for this tutorial). Anything with straight lines is easy enough to get with the pen tool. But lots of small projects, transitions, and blank spots will benefit from the Refine Edge tool.
Once you learn how to use it, you can employ the tool on any image. It’s especially good when you’re changing the background of an imageHow to Change the Background of a Photo in PhotoshopHow to Change the Background of a Photo in PhotoshopWant to change the background of a photo in Photoshop? Adobe has made it quite easy to edit the background of a photo.Read More. But in time you’ll learn which images it’s best used on.
Let’s take a look at how to use Refine Edge.
Step 1: Make a Loose Selection
You can use the Refine Edge tool on an entire image, but you’ll get better results if you help Photoshop focus on the area you’re interested in. Here’s the image we’ll be using:
To isolate the subject from the background, we’re going to have to get a selection that includes her hair. Especially on the left side, that would be difficult—if not impossible—with the pen tool.
Before we start using Photoshop’s Refine Edge tool, though, it helps to make a general selection. First, duplicate the layer by right-clicking Layer 0 and selecting Duplicate Layer. We’ll name the new layer “Background”.
We’ll use the pen tool to outline the woman’s face and narrow down the selection around her hair.
Now, select the Paths tab, right click Work Path, and turn this path into a selection.
Finally, turn that selection into a layer mask.
Step 2: Open Select and Mask Tools
Nothing happens to the image when you add the layer mask. To see your selection more clearly, make the background layer invisible.
Now we have a better idea of what we’ve actually selected. To get to the Refine Edge tool, we’ll need to open the Select and Mask window. Select the rectangular marquee tool (keyboard shortcut M) or the lasso tool (keyboard shortcut L).
You’ll see a button in the menu bar that says Select and Mask. Click that button to open a new window.
Note: To make it a bit easier to see where the Refine Edge tool makes changes, I’ve added a layer and filled it with pink.
Select the Refine Edge Brush Tool.
Step 3: Brush on Your Selection
With this tool selected, we’ll brush around the edges that we want Photoshop to refine. Before we start, though, you may want to change the size of the brush. There’s a brush-size dropdown in the menu bar that lets you quickly increase or decrease the brush size.
It can be helpful to start with a larger brush and then move to a smaller one as the selection gets finer.
Now, brush over the area.
Photoshop extracts contrasting pixels for your selection much faster than you could with a manual tool. As you can see, the selection isn’t perfect. But it’s a lot faster than manual methods. Keep brushing until you get the selection you want.
Step 4: Tweak the Selection
Once you’ve made your selection with the Refine Edge tool, it’s time to make a few tweaks to improve it. The first thing to try is Decontaminate Colors. In the Properties tab, scroll down until you see the Decontaminate Colors checkbox. Click it and check out the results.
Here you can see the difference between the two options:
In our case, some of the edges get a bit sharper, so we’ll leave the decontamination on.
Below this checkbox, you’ll find the Output To: dropdown. You can send this selection to a new layer mask or to the existing mask. We’ll select Layer Mask to add it to our current mask.
Click OK.
Now we can make a few more tweaks. For example, in this area, the Refine Edge tool made part of the woman’s hair transparent.
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Select the layer mask and the brush tool (keyboard shortcut B). Set the foreground color to black and paint over the area that’s been misselected.
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You can use a brush to clean up any of the selection that you’re not happy with. Once you’ve selected the area you want, you can start making adjustments to your background. (I’ve added an adjustment layer to turn the background black and white for a selective-color look.)
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Now Keep Practicing With the Refine Edge Tool
While Photoshop’s edge-detection tools are very advanced, they’re not perfect. So you’re going to need to practice working with them and tweaking your final selections. You might feather the selection to capture a bit of the foreground and a bit of the background. Or use a very small brush to catch even smaller details that Photoshop didn’t.
You can also play around with the Refine Edge settings, like Feather and Contrast, to see how they affect your selections. Like any other tool in Photoshop, it takes a while to get proficient with Refine Edge.
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But with practice, you can become an edge-refining master, and you’ll be well on your way to mastering all kinds of Photoshop techniques. Have you tried textures, yetHow to Create Textures in Photoshop CCHow to Create Textures in Photoshop CCHere's how to create a texture in Photoshop CC and how to apply that texture to another image.Read More?
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